Over the last few days, there has been a much higher-profile female short play, and the data has performed well, called ” The real girl is a schoolboy ” .
The show is on the pay list for two days in a row. On September 13th, ” The real gold is a schoolhouse ” , with a heat of 21.17 million, ranked first;

On 14 September, ” The real gold is a schoolboy ” had a heat of 2.233 million and ranked first;

On 15 September, ” Gorgeous is a schoolboy ” was ranked fourth in the order of 1.74 million.

The results of the show were also more positive, with the red fruit hot list and the new list ranked first.


Since the beginning of the year, short dramas have become more difficult, and the positive picture of the data of the ” true daughter is a schoolboy ” is due to the innovative nature of the drama.
There has been no charisma, no insults and low-intensity tolerance, and they have set up high school girls as sober and courageous masters.
From the time she was a child, she lived in a small city, and suddenly one day she was taken home by her biological parents’ big family, as she did in the novel.
The short play has traditionally favoured only adopted or illegitimate children.
In the face of an environment without love, Lin’s wish as her own daughter has been frustrated, but she has not complained to herself, and she has managed to resolve her problems with great wisdom over time, and eventually to reverse her life in high school.
It is refreshing to see a short-time family in this way, in contrast to the previous short-time dramas, from a “stander” perspective, and to add to the dog-blood dramas by spitting and objective evaluation. We’ll just break down the short play, as many netizens have called.
Another way out.“Easy.”
The story of the growth of a rich man’s unvisited, and of a woman is understandable.
There has been no excessive escalation, nor has there been excessive hazing. The hostess, since she was a child, lived in Mount River province. As poor high school students in small cities, like young people in many small cities, she would like to learn by her own efforts. One day, she will be admitted to Tsingbei University in Kyoto, where she will receive a residence permit and work to change her destiny.
Even though Lin had a total of 650 points for the daily examination, under the Gao Cau army in Yamahe province that score was not enough to let her out.
When it’s sad, fate falls on the next pie, and it hits on Lin’s head:
“I’m the one who was wrongly held in the city of Kyoto.”

There are no missing blood tests, no layered adoptions, less than a minute before the first set, and Lin is already living in the villa of his own family.
Lin is more fortunate than us in reality.
However, once in a while, it looked like the sea. When I entered the House, Lin suffered a lot.
The biological mother is soft and cowardly, and is often fooled by the family, i.e. the fake daughter. The Sioux father is a snobby man. The two brothers were secretly in love with the fake daughter, who came out on several occasions and found out that she had come home and was beginning to feel crisis and tripping.
Well, Lin always managed to avoid it.
The greatest joy of the show was the confrontation between the woman and her family. The families of the rich do not accept the full participation of Lin, who finds himself unable to integrate into his or her biological family, and the daily antagonism between families affects his or her studies and refuses to live in the home and has decided to move to school.
In the face of family disputes, she was alone. Looks weak, but Lin wants to live to be strong.
Her strength is that she is well aware of what she wants, and that when she fights for favors, she is remiss in seeing the situation clearly and knows that the true master of power in the family is the father of the Soviets, and that the love of the false daughter is nothing. In this regard, she was able to avoid family disputes as soon as possible.
The play dealt with both the opposite and the opposite. There has been no overly extreme set-up and insult, nor has there been any jealousy or hatred, much less abuse. Even though it is always a trip, it is simply an act of locking the door, or of walking down the stairs and pretending to be pushed down by Lin, or a bad language attitude, without extreme behaviour.
In school, the ability of students to learn about Lin is also recognized. School leaders appreciate excellent classmates and have been protecting Lin’s studies at school. In turn, Lin has maintained his school environment and avoided being disturbed by his family.
There was no emotional drama, nor was there any use of false hooks to force the curiosity of the audience to look down, and the mood of the audience was unpressed and looked forward to subsequent reversals. The story begins with the character of the hostess, and Lin does not have a strong lead radiant character, which is just normal until it feels “unnormal” to see it in a short play, which surprises the audience.
Distinguished from past forced dementia, the family of the rich continues to be characterized as a short play. The hostess, on the other hand, is a sober man who gives the daily viewers a sense of introspection, and speaks out in the voice of the hostess of their own evaluations and hearts of the short play. At the same time, the hostess has done her utmost to prepare for the high-level examinations and ultimately, by her own means, to reverse the life that most people expect and admire her courage and determination.
It is also an emotional value that Lin wants to live as the biggest hostess in the public mind.
The hostess is a master.
The performances of several actors in the play were unique, the masters had the swaths of the school masters, and the older brothers and the fake daughters showed the shallowness of their roles.
First, look at the lady. The actor’s outside make-up as a whole fits well with the school hegemonics of ordinary family origin. After her arrival in the rich family, her biological mother did not devote much attention to her, so her overall state was not significantly different.
For example, Lin Siu-wan just went to his home, faced with the green tea faked daughter, and his family was fooled.
Lin said, “You don’t have to hide things by changing concepts. I understand your bias. I have many relatives in orphanages, and I will protect them when you have a dispute with them, but you have to know her. If she really wants to leave, she will pack up and leave without forcing me to choose.”
“So, do you really want to go?”

In the face of the unsatisfiedness of the biological family, the hostess had no internal resources, was conscious and strong, and the audience said, “The hostess is the closest thing I have ever seen to reality”.

Despite the spirit of the school master, the problem is not so much in the end of the scene:

The hypocrisy shown by the false daughter, in stark contrast to the sensibility of her master, has reinforced the drama. The actor who played the fake daughter also performed a modest “false”, although she was tender, but she was not mean and ultimately pathetic, and was married by his father to a man of his decades:

She’s very gentle outside, and she’s too well made up in the play.

The Sioux father’s make-up was slightly counterproductive, probably because the actor was younger and his hair was painted grey:

The actor who played the two brothers could only say it was a short play. Second brother wears a suit with his tits on.

The cost of production has also been more restrained, as in the case of the neighboring rich families, and has not been allocated too much:

A party of two rich families:

On the whole, it has the advantage that the drama is very market-driven, that the short play has been conceited from a female master’s point of view, and that there is not much to talk about in the film itself.
Theater: 84 points

After the show, a total of 84 points were given to the new wrists, looking at the score.
It’s true to see the actors first, the actors in the show, like the woman who’s so conscious in the movie, that the ending is a short play, but it’s good for the audience to like it.
Several actors also have their own characteristics, but the more marginal ones, may be loosed on performances, such as the bragging big brother and second brother, as well as the neighbours of the rich, and some of them do poorly. Actors give a total of 16.
The story is designed to be 18 points. We mentioned earlier the design of the play, bringing the view of the audience to the hostess, who continued to hold on to their dreams in the dog-blooded short play, which was set to be very marketable and 18 points.
The only way to fit is to say that the show itself is not very difficult to fit, and that the team is trying to save as much as it can, but it’s not wrong, it’s the regular configuration, and it’s 15 points.
The innovation of the subject matter has reached 20 points, and there has been a proliferation of similar topics.
Risk index, 15 points. The kernel for this play is a high examination, which, as a woman’s dream is fulfilled, is a tool for charisma and a bargaining chip for the Sioux father at the mall, in which case, if the high examination material is not used properly, there is a risk involved.
In two of the plays, the treatment of advanced examinations was risky.
First, the applicants from Yamaha province came to the city to take their exams, and then they came to the city and finally to the city, which is a high-level immigrant.
Secondly, when the hostess came to the city to attend school, she called the city’s test simply, “No wonder the graduated girlfriend said that the paper would give people a great deal of confidence”, suggesting that the test was simple and difficult in the place.
With regard to the second point, that view was not per se sensitive, but the way it was expressed was crucial, otherwise it could lead to contentious conflicts.
Given that the high examination is the focus of social attention and is directly related to access to education and that the focus and capacity requirements for the test papers vary from one place to another, there is a risk of becoming unfair to candidates in a given area and creating territorial antagonisms, such as the need for caution, by simply comparing the examination with the examination of the Kyoto and mountain rolls.
The novelty of the “Golden is She” is more in focus, and various “Golden” shorts are being followed up.
